I will not travel beyond Glasgow’s city limits, or use any vehicles except my bike, for a whole calendar year. – Ellie Harrison, January 2016
Artist Ellie Harrison sparked a fast-and-furious debate about class, capitalism, art, education and much more, when news of her year-long project The Glasgow Effect went viral at the start of 2016.
It’s horrendously crass to parachute someone in on a poverty safari while local authorities are cutting finance to things like music tuition for Scotland’s poorest kids. I don’t know the artist personally but I think we’d all benefit more from an insight into what goes on in the minds of some of Scotland’s middle class. Darren McGarvey, Daily Record, January 2016
This simple proposition – to attempt to live a ‘low-carbon lifestyle of the future’ – put forward by an English artist living in post-industrial Glasgow cut to the heart of the unequal world we have created. A world in which some live transient and disconnected existences within a global ‘knowledge economy’ racking up huge carbon footprints as they chase work around the world, whilst others, trapped in a cycle of poverty caused by deindustrialisation and the lack of local opportunities, cannot even afford the bus fare into town. We’re all equally miserable. Isn’t it time we rethought the way we live our lives?
In this, her first book, Ellie Harrison traces her own life’s trajectory to examine the relationship between literal and social mobility; between class and carbon footprint. From the personal to the political, she uses experiences and knowledge gained in Glasgow in 2016 and beyond, together with the ideas of Patrick Geddes – who coined the phrase ‘Think Global, Act Local’ in 1915, economist EF Schumacher who made the case for localism in Small is Beautiful in 1973, and the Fearless Cities movement of today, to put forward her own vision for ‘the sustainable city of the future’, in which we can all live happy, healthy and creative lives.
